Arthur Sherman's "Covered Wagon" trailers featured solid walls instead of canvas flaps—a modest start to today's manufactured housing industry. |
Architects love to start from a clean slate. It’s inherent in our training, and often, it’s for the best—after all, clean-slate thinking has given us Falling Water, Ronchamps, and countless other architectural triumphs.
Yet sometimes, incremental improvements on a humble concept are more useful than the grandest plans made from scratch. This is the case with affordable housing. Consider what architects have actually done to make homes more affordable during the past eighty years—in practical terms, next to nothing—and compare this with the erstwhile trailer industry, that paragon of gauche design, which has stumbled along unceremoniously only to arrive at affordable housing that really works.
Buckminster Fuller's original Dymaxion House of 1933, now in the Henry Ford Musuem at Dearborn, Michigan. Fuller's idea was to apply mass production techniques to housing—a goal that proved elusive. |
In 1929, a Michigan man named Arthur Sherman got tired of wrestling with his tent trailer and built himself a solid-walled masonite version that didn’t need setting up. The idea caught on, and Sherman wound up in the trailer business, with hundreds of others soon following. By the mid-Thirties, trailering and trailer parks were such a huge phenomenon that one expert foresaw half of all Americans living in trailers by 1955.
Yet by 1937 the trailer boom had collapsed, the victim of a saturated market and its own overheated rhetoric. Meanwhile, broken-down trailers became the only homes many Depression-bound Americans could afford, changing the public’s original perception of trailer dwellers as wholesome, fun-living nomads to the more familiar stereotype presuming shiftlessness and poverty.
World War II briefly redeemed the trailer’s image. Faced with an urgent need to house defense workers, the government ordered some one hundred thousand trailers during the course of the war, and in the process helped demonstrate the lowly trailer’s value as a year-round dwelling.
The postwar housing shortage brought many novel ideas for affordable, mass-produced housing, from the all-steel Lustron home to Buckminster Fuller’s aircraft-based Wichita House. Once again, however, the clean-slate approach created spiraling costs that preempted any chance of affordability.
By the 1950s, travel trailers were getting bigger and bigger; eventually, the industry was forced to acknowledge that they were really building homes, not recreational vehicles. |
Only in 1954, when a Wisconsin firm introduced a trailer so large it required a special permit to transport, did the industry finally begin to acknowledge that year-round trailer dwellers were its real market. Twelve-foot-wide, fourteen-foot-wide, and double-twelve-foot wide trailers eventually followed, at prices that nevertheless were a fraction of conventional site-built homes.
Today, the travel trailer’s descendants—now known as manufactured homes—have quietly fulfilled the whole gamut of affordable housing requirements, and have done so through evolution and not revolution. They are mass-produced and hence affordable; they can be easily customized and rapidly deployed, and they provide the familiar domestic imagery so many homeowners take comfort in.
Yet despite these attributes, manufactured homes remain largely invisible to the architectural profession. Hence, the question is not whether such homes can provide an affordable housing solution—they already have, and for decades. The real question is why architects, and much of the public, still seem to wish they hadn’t.
Next time: If manufactured homes are so great, what's holding them back?
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